2011-2012 AUDITION INFORMATION
Atlantic Symphony Orchestra is one of New England’s premier professional orchestras. Rehearsals are held at Boston University and the New England Conservatory. The orchestra performs at the Jordan Hall at the New England Conservatory of Music and other venues at Boston’s South Shore region.
ALL AUDITIONS BY INVITATION ONLY Please email 1 page résumé in MS Word or PDF file for review No phone calls or inquiries please
[UPCOMING VACANCIES]
Brass Principal Trumpet, Asst. Principal Trumpet
Strings Principal Second Violin, Section Bass; Substitute Viola & Cello
Section Violin (1) Section Viola (substitute only) Section Cello (substitute only) Section Bass (1)
DATES: To be announced
LOCATION: New England Conservatory of Music, 30 Gainsborough Street, Boston, MA
CONTACT: Sarah Hurley, personnel manager
[REQUIREMENTS]
Strings:
[Principal Second; Section Violin & Bass; Substitute Section Viola & Cello]
1. movement* from a standard concerto/sonata (*principal 2nd: 2 contrasting mvts) 2. movement of Bach (NO first movements of a sonata or suite) 3. all assigned excerpts 4. sight-reading
Violin (principal 2nd; section) Rimsky-Kosakov*: Scheherzade solo (*principal 2nd audition only) Ravel*: Ma Mere L'oye; "Le jardin Feerique" solo (*principal 2nd audition only)
Mozart: Symphony No. 35; 1st movement: exposition Mendelssohn: A Midsummer Night’s Dream; scherzo Brahms: Symphony No. 4; 4th movement: 8 before reh. B to reh. D Strauss: Don Juan; beginning to 9 before reh. D
Viola (substitute only) Mozart: Symphony No. 35; 4th movement Mendelssohn: A Midsummer Night’s Dream; scherzo Brahms: Symphony No. 3; 1st movement: mm. 77-100; mm. 187-201 Strauss: Don Juan; beginning to reh. D Tchaikovsky: Symphony No. 6; 1st mvt. Allegro non troppo to reh. C
Cello (substitute only) Mozart: Symphony No. 35; 4th movement Mendelssohn A Midsummer Night’s Dream; scherzo Brahms: Symphony No. 2; 2nd movement: beginning to reh. B Strauss: Don Juan; beginning to reh. C
Bass (section only) Mozart: Symphony No. 35; 4th movement Beethoven: Symphony No. 9; 4th movement: beginning to reh. A Brahms: Symphony No. 2; 1st movement: reh. E to reh. F Strauss: Don Juan; reh. A to C
Brass:
[Principal Trumpet, Asstant Principal Trumpet]
1. 2 constrasting movements from a standard concerto/sonata 2. all assigned excerpts 3. sight-reading
Trumpet (principal & asst. principal) Beethoven: Leonora III (call) Bizet: Carmen (Andante moderato to end) Mussorgsky/Ravel: Pictures at an Exhibition (Promenade opening to reh. 2) Ravel: Piano Concerto in G (1st mvt reh. 2 to 3; reh. 36 to end) Mahler: Symphony No. 5 (1st mvt opening to 5 after reh. 1; 1 before reh. 13 to reh. 14) Shostakovich: Symphony No. 1 (opening); Symphony No. 5 (1st mvt reh. 27-29) Strauss: Don Juan (5 after reh. F to 5 before reh. G) Stravinsky: Petrouchka (ballerina dance waltz)
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